![]() Later, hardcore begat thrash, a harder, faster sound that boasted both punk rock and heavy metal variants, and fans began to shift to a dance called the Huntington Beach Shuffle, a variation of slam dancing that took place in a large circle within the crowd. set, 12 ambulances with 24 stretchers would pull up outside." The violent dancing at Fleetwood was the kind where midway through a. As the punk critic Shreader wrote in the book "Hardcore California," the dancing in this scene "was not the paltry arm-waving, sneer-on-the-face 'slam' practiced by kids these days, introduced to the scene through television. Huntington Beach in Orange County became one of the first beachheads for this new, take-no-prisoners attitude. At the same time, it contributed to the sense of group identity, demonstrating to each person in the pit that he or she was really with the music and the scene.īut as the music and the dancing became more charged-up, the "hard-core" fans tried to distance themselves from insincere suburban poseurs. Slam dancing was a visceral and immediate reaction to the anger and energy of the music. "Like, the rest of the world hates us, so we gotta stick together," Watt said. What encouraged that trust was a shared sense of alienation among the '70s punk rockers. ![]() You have to have brotherhood and sisterhood." Then, you see, you start violating space, and in order to have that, you do have to have to have trust. Pogoing," said Mike Watt, a member of the seminal punk act the Minutemen, and a veteran of the California punk scene. proto-punks picked up the practice, and eventually added a wrinkle of their own. After the English group the Damned introduced punk rock to Los Angeles in 1977, L.A. By the evening's end, every kid in the club had begun to imitate him. According to legend, Vicious was at the back of a club and couldn't see the band, so he started jumping up and down. Slam wasn't the first punk dance that was "pogoing," a semi-spastic, up-and-down dance credited to punk icon Sid Vicious. What we know now as moshing began as "slam dancing," a good-natured but intensely physical reaction to the music that first cropped up among Los Angeles punk rockers in 1978. ![]() The character of the mosh pit has changed drastically since its beginnings in the punk rock clubs of Southern California. "They're out there literally trying to beat each other up. "A lot of these young kids nowadays don't understand that," he added. "It was like, you fall down, someone helps you up. was great, because that's technically how the pit started out," he said. The 180-degree spin on the original line ". Rock refers to the mosh pit in his hit, "Bawitdaba," when he enjoins his fans to "Get in the pit and try to love someone." Originally, however, the song had him shouting, "Get in the pit and try to kill someone" - a lyric he's now glad he changed. I say, 'You can't do that.' I gotta tell these guys, 'Look, if a girl pulls her shirt up, don't be grabbing at her.' Like, how stupid is that?" "A girl would pull her shirt off, everyone would look and cheer. "When they first started doing that, years ago, it was great," said Rock. He cites the practice of women pulling up their shirts to flash their breasts as an example. Rapper Kid Rock believes that the ugliness in the pit reflects a growing lack of civility among concertgoers. Trouble is, the amount of respect in the average mosh pit has been in decline in recent years - so much so that even the artists are beginning to complain. The Rage pit is a place that should be safe for anyone of any age or gender to have a great time." "Because we have a great deal of respect for our audience, and we demand that they respect one another. "If we see anything like that from the stage, Zack always stops the show," said Morello. ![]()
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